According to Actors Access, the Dragonball film will begin re shooting starting October 30th. This process is meant to add extra scenes and re film certain scenes. This is very common during post production in movies. Is there a possibility that this may delay the movie, but for the better? I think so. Here are the details that were provided from the site.

Friday, Oct. 17, 2008, 3:38 PM PacificDRAGONBALL Feature Film SAG		Casting Director: Jason Smith Interview Dates: Immediately Shoot/Start Date: October 30, 2008 Pay Rate: SAG Scale Location: 20th Century Fox, Los Angeles
SUBMIT ELECTRONICALLY		TEL: 818/752-4929

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Dragonball Live posted an article from the french magazine Cine Live that reports some Dragonball movie aspects from director James Wong and Producer Tim Van Rellim. They reveal what the ‘volcano’ pre release picture is used for in movie and if Master Roshi stays true to his manga character.

Is Roshi true to the manga character?

“Yes, somewhat,” said director James Wong. “We kept his main features, like his humor. But in the manga Roshi is a true sexual pervert, which wouldn’t work in a family film. So we removed that part of the character.”

“I discovered that Dragonball had such a rich universe that it would take several films to cover all of its treasures. My goal with this movie is not to convince existing fans that Dragonball is great, they already know this, but to give a new audience. More adults, as I was a neophyte myself before discovering the manga!”

Director Tim Van Rellim reveals the volcano

“Here, we can build a large [volcano], including the decoration of the volcano where the hero must take one of seven Dragon Balls.” The crater is impressive, gigantic artificial arena. “By day, the volcano is nothing. But at night, the lighting for the scene takes it to another dimension.” And that’s not counting the digital special effects that will fill the green screen with lava.

 Edward French (the make up designer for Piccolo) has posted up a sneak peak at Piccolo. He says he can’t reveal Piccolo’s face yet due to FOX (which you can see via our gallery). Here’s the full details from the scan.

As many of you hardcore sci-fi fans know, I applied the Piccolo make up for the soon to be released feature film Dragonball. To the many hyper loyal fans of Dragonball…I hope you understand that Iam obligated by the almighty 20th Century FOX to keep Piccolo’s kisser top secret for the time being. When this eagerly awaited epic opens I will be posted a complete step by step photo gallery of the amazing transformation of James Marsters into Lord Piccolo. Stay tuned to this webpage.

DB The Movie Blog was able to translate the October issue of Roadshow. There are a few new interviews including one with Justin Chatwin and another with the stunt team. We even get a description of the teaser trailer.

Justin Chatwin interview
First of all, it’s an honor to play Goku, because he is a very important and epic character. He is always seeing the positive side of things, does good things, and always trys to help and take care of the weak, not only pursuing his power. He is a dependable and loving man as well as a boy. So I like Goku.

In preparation for the role, of course I read the original manga (all of it), in addition, I read Monkey King a little, because Dragonball is based on Monkey King. And during the break time of shooting, I got into Goku’s character, telling jokes with other cast in search of the real communication which can be used in acting.

This is the most interesting movie for me. Because I have never fought with anyone though, I trained martial arts and acrobat, and then we shot it. That’s fun as well as challenging. Fighting with Eriko (Tamura), she punched me in the face, actually she intended to hit lightly, but…it was a clean hit (laugh) She said “I’m sorry!” and apologized to me, but thanks to her, we could shoot very powerful action scene. Through this work, I think I could learn a lot of things.

I like Durango very much. Because a lot of my favorite movie like “The Wild Bunch” was shot here. And there are locations like sand dunes, cave, lava field and rocky hill like the Grand Canion, so I think the background of this movie are very epic.

Highlights of this movie are the action scenes, and amazing visual effects will be made at post production, so I’m looking forward to see it. About Kamehameha I only can imagine it now. I’m so excited. And this movie is the coming-of-age story about a boy, though this is set in a sci-fi world, in my opinion, my best scene is the moment when the characters who got together for the same purpose relate to each other.

Action coordinator 87eleven staff interview
Each characters has a different fighting style. For example, Goku’s fighting style is a hybrid of capoeira, karate and so on. Chi-Chi’s fighting style is based on kick boxing (Muay Thai) style, Master Roshi and Gohan are based on traditional Chinese martial arts (southern style). Justin has good muscle strength of the lower body so to harness this strength, we let him do action. His capoeira motion is very good. He has no experience of martial arts at all, we had to teach him from scratch. But he is doing very well for two months training period.

Highlight of this movie is fighting with Goku and Piccolo, I think it has a tremendous impact. Goku and Gohan’s fight is comical, and Chi-Chi does Jackie Chan-like battle. Each character has a unique twist on martial arts.

The teaser trailer in Japan, I didn’t see it but a lot of people said they saw it. They describe it that characters don’t appear at first, but the solar eclipse appears in space (like the image Danny Boyle director’s Sunshine) and the eclipse changes to a dragon ball and seven balls fly in space and DRAGONBALL logo appears. Narration is Ichirou Nagai, Japanese famous voice actor in dragonball anime, voice of karin-sama (Goku’s master cat) and Tsuru sennin. If I see teaser trailer I report it.

Dragonball Movie Blog got the opportunity to score an interview with the founder of Ironhead Studios, Jose Fernandez, about his work on the upcoming Dragonball film. Ironhead Studios is one the film industry’s leading effects shop. They have done work on films such as Hellboy and X-Men 2.

DBMB: How did you get involved with Dragonball? Was there some sort of “auditioning” process or where you approached by Fox/James Wong?
JF: I was approached by Fox. I’ve done a handful of films for them, so we have a bit of a relationship.

DBMB: What characters did you work on in this film?
JF: In the early design phase I worked on almost, if not every character. After the initial drawings, the director and studio chose what they did and didn’t want to use. As far as final design and fabrication, I was responsible for Piccolo’s full costume and armor, everything except for his makeup, which ADI was responsible for. I also assisted Mayes Rubeo with realizing Goku’s costume and gei.

DBMB: What was it like working with the cast and crew?
JF: Other than James Marsters, I had little contact with the cast. I was only on set for a couple of days to make sure that the costumes were maintained, and looked the best they could on film.

DBMB: What was James Wong like as a director?
JF: I didn’t have the pleasure of working with James in depth. We met in a few preliminary meetings and e-mailed a few times. He seemed very focused and open to creative ideas.

DBMB: What was James Wong looking for in terms of character design?
JF: Well, James seemed to have a healthy respect for the source material. He wanted to create a memorable world that satisfied fans, but also was grounded in reality.

DBMB: How do you expect post-production to effect the look of certain characters? In what ways do you hope it will?
JF: I can only hope that the post-production work enhances the film. My favorite effects are the ones that seamlessly blend the practical and digital worlds. One world should enhance the other. Believability is always key.

DBMB: Were you familiar with the source material when you joined the project? If not, did you consult the original material for inspiration?
JF: I was not at the time, but there were those around me that were. That said, I immediately immersed myself in the world. Hopefully the fans are pleased.

DBMB: In terms of the styling of the characters you worked on for this film, what were some of the details that James Wong had requested you include?
JF: I specifically remember our conversations concerning Goku. James wanted to make sure that he wasn’t too tailored. He wanted Goku to feel like a timeless warrior. A combination of the new and old. Rather than come out of a superhero factory, Goku pieced together his costume from various sources that were important to him.

DBMB: What was the most challenging part of Dragonball?
JF: The biggest challenge for me specifically were budget and time constraints. I’m always pleasantly surprised with what can be done in a limited amount of time. I look forward to those challenges. They force you to be a problem solver.

DBMB: And of course I must ask, who is your favorite Dragonball character and why?
JF: I’m a fan of Yamcha. He reminds me of Han Solo. I’ve always been partial to the “loveable rogue” character. They have the most interesting arcs.

Ben Ramsey, DB movie screen writer. has sent the folloing message to Dragonball Film concerning the movie’s script and a few other details.

“I haven’t read the leaked script so I don’t know if it was one of my drafts or not. Plus I am not at liberty to comment on it one way or the other.

I have not seen the whole film yet but what I’ve seen looks incredible. It was an absolute honor to be a part of Dragonball history. I am big fan of James Wong’s work and I am confident that he made a movie that will thrill die-hard fans and non-fans alike.

I’d like to thank all the fans for their support and for helping to promote the movie. With your help Goku, Roshi, Bulma, Yamchi, Chi Chi and Piccolo will rule the Universe in 2009.

Kamehameha!

Ben”

Thanks to Dragonball Live, we have an interview with the story board artist/writer that worked on the Dragonball film. I’m very happy to hear a few movie concepts he mentions, read on…

Did you inform yourself and get inspiration on the anime to create your story board ? Were you inspired by Akira Toriyama’s style ?

Before being asked to work on Dragon Ball, I was already a fan of the Anime. I had maybe around 20 issues of the manga, but it was in Japanese, so I really could only look at the pictures. The first time I had ever heard of Dragon Ball was in 1993 when a fellow comic book artist showed me the Anime on a VHS tape. It was a bootleg from Japan. What inspired me most about Dragon Ball Z was the level of energy and dynamics that was put into the action sequences. If anything, that’s what I tried to bring with me to my work on the film.

A lot of rumours are saying that the film will be a PG, Will it definately be a PG and not a PG 13 ? or even an R rated movie ? In our opinion an PG13 or R rated movie is more appropriate for the dragon ball universe ?

While I can’t comment on the Rating of the Dragon Ball film, I will comment on that I’d personally prefer an R rating. My first job on a film was on The Transporter 2. Originally, we filmed an R rated movie, and unfortunately, Luc and Fox wanted more “butts in seats” so it was brought down to PG-13. I really feel that the film suffered because of it. As far as Dragon Ball is concerned, I think that Jim directed an incredible film. I’m sure if his intended cut makes it to the screen, you’ll be happy.

Concerning the fights, Did the production team manage to reproduce what you had in mind on screen ? Does your storyboard come close to the anime’s famous battles ? We are afraid that the dragon ball fight’s will be filmed in a very traditional way. With your work on the storyboards, have you tried to create something never seen before ?

I think our action department did an incredible job. They all worked very hard to stay true to the spirit of Dragon Ball. As I said before, I’m a fan of the anime and worked very hard on bringing kind of energy that to my work.

Could you either tease us with something from the film or even give us a few hints on what we should expect from this adaptation ? Will there be any suprises that we would not find in the original manga or anime ?

If I answered that, don’t you think that the surprises would be spoiled ?

Did you meet any difficulties creating this storyboard ? If so, could you tell us what ? What did you enjoy the most in your work on Dragonball ?

I don’t see things as difficult, only as a challenge. I embrace any challenge, and Dragon Ball was a pure joy. My favorite part was meeting new people and creating new friendships on set. I was pleasantly surprised by how cool everyone was. Mr Chow was insanely charming.

According to rumours, production has planned to conduct follow-up to this first opus, will you also work on these projects ?

If I am asked to work on any Dragon Ball project, I’d definitely accept.